SHUBOSTAR GETS COSMIC WITH MIXMAG ASIA IN BANGKOK
Jan Simon Spielberger Jan Simon Spielberger

SHUBOSTAR GETS COSMIC WITH MIXMAG ASIA IN BANGKOK

Sonic cosmonaut Shubostar is making her way to Bangkok. The Korean artist who’s “always been fascinated by space” lands in Thailand next week to perform at the illustrious Sing Sing Theater for a midweek soirée on Wednesday, April 19.

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JOYCE MUNIZ - HOW I FEEL FEAT. PLAY PAUL
Jan Simon Spielberger Jan Simon Spielberger

JOYCE MUNIZ - HOW I FEEL FEAT. PLAY PAUL

The fourth single off Joyce Muniz’s album ‘Zeitkapsel’, ‘How I Feel’ is fronted by the distinctive voice of Play Paul. One of the pioneers of French Touch, the producer and singer was half of Buffalo Bunch, as well as part of supergroup Crydajam, which included his brother, Daft Punk’s Guy-Man.

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DREAMCASTMOE - MUCH MORE (SIRENS OF LESBOS REMIX) OUT ON SPECTRAL SOUND / GHOSTLY INTERNATIONAL
Jan Simon Spielberger Jan Simon Spielberger

DREAMCASTMOE - MUCH MORE (SIRENS OF LESBOS REMIX) OUT ON SPECTRAL SOUND / GHOSTLY INTERNATIONAL

Since the splash of Sound Is Like Water, the acclaimed Spectral Sound debut from DC-based singer, songwriter, and producer Davon Bryant, aka dreamcastmoe, the ever-collaborative and versatile talent has kept moving. Beyond charismatic DJ/MC sets from Amsterdam to New York, Bryant is splitting time between various projects now beginning to surface. But first, he closes the Sound Is Like Water era by inviting new perspectives to the material. "Much More" receives a grooving remix from Swiss band Sirens Of Lesbos, who drop the floor out to showcase Bryant's balladry above a backdrop of springy synth lines and percussive snaps. Out via Spectral Sound / Ghostly International.

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ZOMBIES IN MIAMI COMING TO SINGAPORE - MARKING THEIR SOUTHEAST ASIA DEBUT
Jan Simon Spielberger Jan Simon Spielberger

ZOMBIES IN MIAMI COMING TO SINGAPORE - MARKING THEIR SOUTHEAST ASIA DEBUT

For the first secret location party back, ESCAPE 56 invite the Mexican power couple, Zombies In Miami, they have become prominent members of Mexico‘s vital electronic scene over the last decade. You can call their sound a rhythmic and synth-driven house and techno hybrid, with a disco and balearic twist, which is held together by the oh so sweet Italo Drama. This marks their Southeast Asia debut.

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JOYCE MUNIZ - BANGALORE GIRL
Jan Simon Spielberger Jan Simon Spielberger

JOYCE MUNIZ - BANGALORE GIRL

Written after touring India, the tabla drums and sampled vocal of ‘Bangalore Girl’ came from Muniz’s desire to capture the sensory memories that lingered on after the magical experience. But its drum and bass underpinning harks back to her early DJ career playing drum and bass as resident DJ at Vienna’s famous Flex Club – a time when Brazilian d&b stars such as Dj Marky and Dj Patife were revolutionising the genre by bringing in elements of samba and other more traditional sounds.

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JOYCE MUNIZ - ARRIVEDERCI BELLA
Jan Simon Spielberger Jan Simon Spielberger

JOYCE MUNIZ - ARRIVEDERCI BELLA

‘Arrivederci Bella’, the second single from Joyce Muniz’s upcoming album ’Zeitkapsel’, began with the idea of mixing samba and electro, a synthesis of two important aspects of her history.

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DJ KOZE MAKING HIS BALI DEBUT AT LA BRISA
Jan Simon Spielberger Jan Simon Spielberger

DJ KOZE MAKING HIS BALI DEBUT AT LA BRISA

Basement Love X PNNY is back this February 11th with a monstrous line-up! The extremely anticipated DJ Koze will be making his Bali debut at La Brisa along with Mella Dee, Fritz Windish and family favourites, PNNY!

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INSIDE A NEW RAVE IN MANILA - SADOMASODISCO IS A SPACE FOR EVERYONE TO BE THEMSELVES
Jan Simon Spielberger Jan Simon Spielberger

INSIDE A NEW RAVE IN MANILA - SADOMASODISCO IS A SPACE FOR EVERYONE TO BE THEMSELVES

Manila nightlife districts are tainted with stories of people being denied entry from establishments for not wearing traditionally gender-conforming fits, or gay couples being asked to stop making out while straight couples are left to do the same. Many DJs feel the need to conform to the venues’ sound as opposed to playing what they think is good music. Bars and clubs stick to their tired themes and aesthetics, leaving little room for creativity and new experiences, let alone new crowds. Sado’s events, by contrast, are characterized by a “gritty glamor” that’s born out of an eclectic mix in its music, attendees, and even art style.

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